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Date: 2014
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/323883
Description: This article analyses some of the aesthetic and philosophical strands of Lars von Trier's Melancholia, focusing in particular on the film's remarkable Prelude, arguing that it performs a complex ethic ... More
Reviewed: Reviewed
Date: 2014
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/313563
Description: Like the fabled black swan of early epistemological inquiry, ‘Australasian Continental philosophy’ seems a kind of chimera apt to raise doubts rather than certainty. Is there such a mythical creature? ... More
Date: 2014
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/285732
Description: 20 page(s)
Date: 2014
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/292714
Description: 16 page(s)
Date: 2013
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/277132
Description: 22 page(s)
Date: 2012
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/207098
Description: Given the so-called crisis in film theory, the digital mutations of the medium, and the renewed interest in historicism, cinephilia, and film philosophy, Andre Bazin's thought appears ripe for retriev ... More
Reviewed: Reviewed
Date: 2012
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/207341
Description: What Kompridis admirably describes as the transformative power of disclosing critique should be incorporated into a renewed model of critical theory. At the same time, disclosing critique should be re ... More
Reviewed: Reviewed
Date: 2012
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/188978
Description: Few cinephiles would deny the importance of mood in film, yet the aesthetics of mood are curiously overlooked today. On the one hand, mood is an essential dimension of cinema: we define certain genres ... More
Reviewed: Reviewed
Date: 2011
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/161174
Description: 15 page(s)
Reviewed: Reviewed
Date: 2011
Language: eng
Resource Type: book
Identifier: http://hdl.handle.net/1959.14/142445
Description: Introduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation ... More
Date: 2011
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/146889
Description: 29 page(s)
Date: 2011
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/157135
Description: 16 page(s)
Date: 2011
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/154257
Description: 23 page(s)
Date: 2011
Subject Keyword: 220300 Philosophy
Language: eng
Resource Type: book chapter
Identifier: http://hdl.handle.net/1959.14/170531
Description: 18 page(s)
Date: 2011
Language: eng
Resource Type: journal article
Identifier: http://hdl.handle.net/1959.14/145803
Description: Nikolas Kompridis has recently argued that the future of critical theory depends upon a critical appropriation of Heidegger’s concept of ‘world disclosure’, and hence on a transformation of critical t ... More
Reviewed: Reviewed